{"id":1381,"date":"2025-11-05T20:48:54","date_gmt":"2025-11-05T20:48:54","guid":{"rendered":"https:\/\/sulegasydamest.kadrivilu.com\/?page_id=1381"},"modified":"2026-05-24T21:00:59","modified_gmt":"2026-05-24T21:00:59","slug":"varia","status":"publish","type":"page","link":"https:\/\/sulegasydamest.kadrivilu.com\/en\/varia\/","title":{"rendered":"VARIA"},"content":{"rendered":"
<\/div>\n\n\n\n

VARIA<\/h1>\n\n\n\n
<\/div>\n\n\n\n

The vast majority of the works presented here were created within the calligraphy school program led by Anu Purre.
These include both traditional compositions and calligraphy with a contemporary approach, with modern developments presented alongside historical scripts.
Works have been grouped according to historical styles and arranged in chronological order.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n
<\/div>\n\n\n\n

Roman scripts<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Roman Capitals<\/h4>\n\n\n\n

I century<\/p>\n\n\n\n

<\/div>\n\n\n\n

Roman capitals according to Christopher Haanes + Italic script<\/p>\n\n\n\n

Broad-edged nibs, Chinese ink, acrylic ink, cotton paper<\/em><\/p>\n\n\n\n

<\/div>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Rustic capitals<\/h4>\n\n\n\n

I century<\/p>\n\n\n\n

<\/div>\n\n\n\n

Broad-edged nib, alternative writing tool \u2013 plastic strip, Chinese ink<\/p>\n\n\n\n

<\/div>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n

Square capitals<\/h4>\n\n\n\n

IV century<\/p>\n\n\n\n

<\/div>\n\n\n\n

Broad-edged and pointed nibs, Chinese ink, acrylic ink, watercolours<\/p>\n\n\n\n

<\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

After Roman Script<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Uncial Script<\/h4>\n\n\n\n

IV century<\/p>\n\n\n\n

<\/div>\n\n\n\n

Murmur<\/p>\n\n\n\n

<\/div>\n\n\n\n

The words are layered on top of each other, different scripts like different dialects. Sometimes You can recognize only a word or too, sometimes a thought becomes very clear. Inspired by and interpreted from the poetry of K\u00e4rt Hellerma. The lower layers of the work use freehand and sharp Italic lettering, while the silver lettering on top is Uncial.<\/p>\n\n\n\n

210 \u00d7 345 mm; brushes, dip pen with pointed nib, watercolours, acrylic inks<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Half Uncial - Insular script<\/h4>\n\n\n\n

VII century<\/p>\n\n\n\n

<\/div>\n\n\n\n

Broad-edged nibs, watercolours, coffee<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Gothic scripts<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Fraktur<\/h4>\n\n\n\n

XV century<\/p>\n\n\n\n

<\/div>\n\n\n\n

Broad-edged nibs, Chinese ink, acrylic ink<\/em><\/p>\n\n\n\n

<\/div>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n

B\u00e2tarde<\/h4>\n\n\n\n

XVII century<\/p>\n\n\n\n

<\/div>\n\n\n\n

Broad-edged nib, brush, Chinese ink, watercolour<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Renaissance scriptS<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Italic<\/h4>\n\n\n\n

XIV \/ XV century<\/p>\n\n\n\n

<\/div>\n\n\n\n

Broad-edged nib, acrylic ink<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

\u2018Sharp\u2019 Italic (a modern take on historical script)<\/p>\n\n\n\n

Pointed nib, Chinese ink, watercolour, cotton paper<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n
\n
\"\"<\/figure>\n<\/div><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Flockers \/ Hermit<\/p>\n\n\n\n

Broad-edged and pointed nibs<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Joined and stretched Italic development<\/p>\n\n\n\n

Pointed nib, metallic watercolour, pastel paper<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Baroque script<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Copperplate<\/h4>\n\n\n\n

XVII century<\/p>\n\n\n\n

Pointed nib, acrylic ink, watercolours, cotton paper<\/em><\/p>\n\n\n\n

<\/div>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n

Composition with sketchy landscapes<\/p>\n\n\n\n

Pointed nib, Chinese ink, acrylic inks<\/em><\/p>\n\n\n\n

<\/div>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n

Contemporary scripts<\/h2>\n\n\n\n
<\/div>\n\n\n\n

Code script<\/h4>\n\n\n\n

The author of the Code Script is Vivian Majevski.<\/p>\n\n\n\n

Broad-edged and pointed nibs, Chinese ink<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Lapidary Antiqua<\/h4>\n\n\n\n

Inspired by Andreas Schenk\u2019s alphabet, used together with Visigothic script<\/p>\n\n\n\n

Pointed nib, acrylic ink, metal leaf, Fabriano paper<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Vjaz<\/h4>\n\n\n\n

Footprints on the Snow. Minimalistic composition with Latin letters inspired by Vjaz<\/p>\n\n\n\n

Broad-edged and pointed nibs, Chinese ink<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n

Contemporary script according to Francesca Biasetton<\/p>\n\n\n\n

Pointed nib, Chinese ink, acrylic ink<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n

A Japanese-themed experiment<\/p>\n\n\n\n

Chopsticks, broad brush, Chinese ink, watercolours<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n
\n\n\n\n
<\/div>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

VARIA Valdav enamus siin esitletud t\u00f6\u00f6dest on valminud Anu Purre kalligraafiakooli programmi raames.Nende hulgas on nii traditsioonilisi kompositsioone kui kaasaegse l\u00e4henemisega kalligraafiat, ajalooliste kirjade k\u00f5rval on t\u00e4nap\u00e4evaseid arendusi.Kasutatud kirjad on koondatud ajalooliste stiilide p\u00f5hjal kirjagruppidesse ja j\u00e4rjestatud kronoloogiliselt. ROOMA KIRJAGRUPP Rooma kapitaalkiri I sajand Rooma kapitaalid Christopher Haanese j\u00e4rgi + Italic Laisuled, tu\u0161\u0161, akr\u00fc\u00fcltint, puuvillapaber…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1381","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sulegasydamest.kadrivilu.com\/en\/wp-json\/wp\/v2\/pages\/1381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sulegasydamest.kadrivilu.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sulegasydamest.kadrivilu.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sulegasydamest.kadrivilu.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sulegasydamest.kadrivilu.com\/en\/wp-json\/wp\/v2\/comments?post=1381"}],"version-history":[{"count":52,"href":"https:\/\/sulegasydamest.kadrivilu.com\/en\/wp-json\/wp\/v2\/pages\/1381\/revisions"}],"predecessor-version":[{"id":2245,"href":"https:\/\/sulegasydamest.kadrivilu.com\/en\/wp-json\/wp\/v2\/pages\/1381\/revisions\/2245"}],"wp:attachment":[{"href":"https:\/\/sulegasydamest.kadrivilu.com\/en\/wp-json\/wp\/v2\/media?parent=1381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}